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Saturday, June 1 • 2:00pm - 2:30pm
(Paintings) Modernizing Stretchers for (Paintings) on Canvas

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Jia-Sun Tsang, Senior paintings Conservator, Don Williams, Senior Furniture Conservator, and Inês Madruga Carvalho Caldeira, paintings Conservation Fellow, Smithsonian Institution’s Museum Conservation Insitute (MCI); Rick Pelasara, Exhibit Production Manager, Smithsonian National Museum of the American Indian

Stretchers for paintings on canvas first appeared in the mid-18th century. Since then, a variety of devices have been used to expand the corners of stretchers to create tight, even surfaces. These devices have included traditional wooden wedges, modern ICA spring stretchers, and expansion bolt stretchers, all employed to impose dimensional changes at the corners. If not used properly, this type of expansion through corners can harm works of art by concentrating excess stress at corners, along with many other concomitant risks.

Previous MCI-based research ,2 into the mechanical behavior of paintings, combined with the authors’ experiential observations, provided the impetus to develop an innovative stretcher system that would provide strong, even, reliable support for a canvas without expanding the corners. We have developed a prototype stretcher made of aluminum and Delrin® (an engineered polymer with properties bridging the gap between metal and wood), with threaded thumb screws for tension adjustment positioned at calculated intervals along the stretcher bars, not at the corners. This system has several advantages: it can adjust the tension in each direction and location separately; it provides stability and even tension while conserving aged and lined paintings; and it effectively corrects planar distortions through infinitely variable localized tension adjustments.

This new system can be adapted to serve as an insert for retrofitting extant paintings with lax, nonplanar canvases that cannot be safely dismounted, and also as a new stretcher for original artworks. The prototype stretcher can be retrofitted to an existing painting to impart structural strength and integrity without imposing any new stresses or distortions on the extant stretcher corners. Instead, the stresses and concomitant strains are introduced along the bars of the stretcher, in effect allowing the corners to “float” and achieve their own structural equilibrium. This feature is even more pronounced in the prototype stretcher developed for new paintings, in that the intersections of the wooden tacking bars allow for the structural equilibrium required by the canvas. The use of this innovative system with modern and contemporary large-scale paintings has significant ramifications: besides providing structural soundness and even surfaces, adjustments and corrections of canvas tension can be made on-site in galleries and museums, without having to dismount the paintings.

As an example of this new stretcher’s practical application, to treat a 150-year-old painting with severe planar distortion and a fragile surface sensitive to moisture and heat, our team designed and installed a prototype as an insert. Fitting the at-risk painting with our newly designed stretcher immediately corrected the severe planar distortion of the canvas, without the use of heat, moisture, or weight.

Speakers
IM

Inês Madruga Carvalho Caldeira

Inês Madruga Carvalho Caldeira is a Paintings Conservation Fellow at the MCI. She received an MEng in structural/civil engineering from the Faculty of Science and Technology, New University of Lisbon, Portugal, in 2005, and an MA in conservation of fine art from Northumbria University, UK, in 2012, specializing in easel paintings. Her interest is in the conservation of traditional paintings, with a focus on research into the mechanical... Read More →
RP

Rick Pelasara

Rick Pelasara is the Exhibit Production Manager at the Smithsonian National Museum of the American Indian. He attended the Catholic University. Since 1974 Rick has been involved managing production facilities including Production and Logistics Manager for the Malaysian National Science Center in Kuala Lumpur (1994-95), Cape Coast Castle Museum in Ghana (1996) and Venice Biennale Italy (2005, 2007). He has a special interest in and been involved... Read More →
JT

Jia-sun Tsang

Senior Paintings Conservator, Smithsonian Museum Conservation Institute
JIA-SUN TSANG is a senior paintings conservator at the Smithsonian Institution’s Museum Conservation Institute (MCI). She has an MS in art conservation from the Winterthur/University of Delaware program and an MS in chemistry from Bowling Green State University, Bowling Green, Ohio. She came on staff with the Smithsonian Institute since 1988. Jia-sun had focused on the characterization of acrylic and other twentieth century painting... Read More →
DW

Don Williams

Don Williams is Senior Furniture Conservator at MCI. He trained as traditional craftsman in furniture restoration, foundry patternmaking, and metal casting, and then received his BA from the University of Delaware. He joined the Smithsonian in 1984, and for many years directed their MA Program in Furniture Conservation. He is a past Chair of the AIC Wooden Artifacts Group and currently serves on the US Senate Curatorial Committee. He was the... Read More →


Saturday June 1, 2013 2:00pm - 2:30pm
JW Marriott Grand Ballroom 3 & 4 19 S West St Indianapolis, IN 46204

Attendees (18)