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Popular Events

 

#1

Opening Reception

#2

Collecting the Performative: The Role of the Conservator in the Conservation of Performance-Based Art

#3

Welcome and Awards

#4

Contemporary Colorant Change: Assessing Changes in the Herblock Collection due to Exhibition and Storage of Fugitive Media, Part II

#5

Panel: Collaboration in Design: Working with Architects at the San Francisco Museum of Modern Art (SFMOMA)

#6

Exhibit Hall Break

#7

The Great Debate at AIC

#8

Exhibit Hall Break

#9

Exhibit Hall Break

#10

Emerging Conservation Professionals Happy Hour

#11

Exhibit Hall Break

#12

(Contemporary Art Session 1) Nam June Paik: Global Visionary. From the Archive to the exhibition.

#13

(Contemporary Art Session 1) Automating Classification of Historic Photographic Paper from Surface Texture Images

#14

(Contemporary Art Session 1) Artist materials collection at the San Francisco Museum of Modern Art

#15

(Book and Paper) Tips Session: Contemporary Treatment Tips and Techniques

#16

(Objects) Three Decades Later: A Status Report on the Silver Lacquering Program at Winterthur

#17

AIC Member Business Meeting

#18

(Contemporary Art Session 2) Conservation Treatment of Claes Oldenburg and Coosje van Bruggen’s sculpture Monument to the Last Horse, 1991 at The Chinati Foundation, Marfa, Texas

#19

(Objects) Bon Appétit? Plastics in Julia Child's Kitchen

#20

(Book and Paper) A Technical Study and Conservation Project of Roy Lichtenstein’s Screenprint on Plastic “Sandwich and Soda”, 1964

#21

(Book and Paper) The Materials, Techniques, and Conservation Challenges of Richard Serra's Oil Stick Prints

#22

(Discussion Session) Conservation Treatment Documentation Databases

#23

(Contemporary Art Session 1) When Conservation Means Stapling: Touring an Unsupported, Unglazed, 9ft x 21ft, oil paint stick on Paper to Three Venues

#24

AIC's Objects Specialty Group Luncheon & Tips Session

#25

(Contemporary Art Session 1) Working Together Through Hard Truths: The Conservation and Exhibition of Thornton Dial’s Complex Artworks

#26

(Paintings + Research and Technical Studies) Water in Oil Microemulsions: A Novel Cleaning System for Acrylic Paints

#27

Special Dessert & Discussion

#28

(Contemporary Art Session 2) Cow guts. The conservation of two contemporary artworks by Doris Salcedo and by Ursula van Rydingsvard

#29

(Contemporary Art Session 2) Vibration Control During Museum Construction Projects

#30

(Book and Paper) Conservation of Dieter Roth's “Snow”

#31

(Book and Paper) Treatment and Housing Techniques for Pastel (Paintings) on Paper – Case Studies

#32

(Contemporary Art Session 2) Installing Mauricio Cattelan's ALL: a retrospective at the Guggenheim Museum

#33

(Book and Paper) Two New Techniques for Loss Compensation In Art on Paper: Integration of Surface Losses Using Textile Fibers and The Use of Sprayed Cellulose Powder To Minimize Foxing and Other Discoloration

#34

(Objects) Metal Health and Weld Being: Conservation Strategies for a Collection of Sculpture by John Chamberlain

#35

(Discussion Session) Then vs. Now: Fundraising for Conservation Isn’t What It Used To Be

#36

(Contemporary Art Session 1) Making Marks: An Ethical Dilemma in the Creation of Art

#37

(Contemporary Art Session 2) Conservation of Wrapped TV, 1967 by Christo and Nam June Paik

#38

Book and Paper Group Reception

#39

Emerging Conservation Professionals Portfolio Seminar

#40

(Book and Paper) Flip, Flap and Crack: The Conservation of 400 years of Anatomical Flap Books

#41

(Objects) Rethinking the Monumental: A Creative Approach to the Preservation of a Landmark Tony Smith Outdoor Sculpture

#42

(Electronic Media) Technical Documentation of Source Code at the Museum of Modern Art

#43

(Contemporary Art Session 2) Film: Conserving Calder's Circus

#44

(Book and Paper) Testing the Waters: Applying New Techniques to the Cleaning of Acrylic Paint Film

#45

(Contemporary Art Session 1) Robert Rauschenberg at the San Francisco Museum of Modern Art: an Online Scholarly Catalogue

#46

(Paintings + Research and Technical Studies) Traditional Artist Materials in Early Paintings by Andy Warhol

#47

(Paintings + Research and Technical Studies) Rediscovering Color; Treatment, Analysis and Digital Restoration of Vincent Van Gogh’s Undergrowth with Two Figures

#48

(Book and Paper) Archives Conservation (Discussion Session): Is It Real? The Value and Ethics of Using Surrogates

#49

(Book and Paper) Art on Paper (Discussion Session): Making Terminology Meaningful: Guiding the Description of Media for Works of Art on Paper

#50

(Objects) Preserving an Aesthetic of Decay: Living Artists and the Conservation of Contemporary (Objects)